But with good noise-handling and clever engineering, the KSM9 brings all of these qualities to the stage. It may likely suffer from cosmetic defects, such as grille deformation and less likely scratches. 1:12 Shure KSM8 Only KSM8 Dualdyne Dynamic Handheld Vocal Microphone from Shure is a dual-diaphragm dynamic microphone crafted for vocal reproduction and sound-reinforcement in live performances and top-tier professional venues. . Giving just enough brightness to put you in line or slightly ahead of the instruments, I find it working . Just commenting again on the visuals for a moment, the KSM8 is a very elegant and classy-looking mic indeed, and if I didnt know better Id assume from its shape and styling that it was a capacitor mic rather than a moving-coil design. The KSM8 is a dynamic mic, whereas the KSM9 is a condenser. Its unique capsule gives the KSM8 a cardioid polar pattern that is unusually uniform across the frequency spectrum. I work for a medium sized provider in the UK, we have 16 channels of UHF-R (a mix of UR4D and UR4D+). The KSM8 Dualdyne features a patented cartridge design with two ultra-thin diaphragms and groundbreaking reverse airflow technology. What is the output level difference between Shures Beta 87A and SM58? They call it a three-stage grille or simply triple grille. The entire midrange, which corresponds for vocal and most instrumental sounds is precise as never before. It is also nice to admit the technological advancements implemented in this unit. Find out more about how we test. One distinctive advantage of Shure KSM9 is that it is quite less sensitive than Neumann KMS 105. The unique feature of KSM9 is a switchable pattern (cardioid vs. supercardioid), which gives greaterflexibility for any situation or environment. However, when the stage gets more aggressive and louder, you will need theimproved rejection and gain before feedback of supercardioid. This delivers a more natural response throughout the vocal range, eliminating the need for a strong presence peak. KOHN MUSIC STORE. The passive diaphragm obviously moves in response to sound waves, and thus transmits sound waves into the rear chamber, but it affects low and high frequencies differently. The KSM8 is unique in being a dual-diaphragm, moving-coil stage vocal mic. Brand New. There are no user-serviceable parts inside. The switchable polar pattern also gives you that extra control to tailor your sound to the vocalist and the environment. For comparison the SM58 only reaches 15kHz. I was hoping to get a few opinions on these microphones. This improved design had even less proximity effect, achieved through the use of considerably more entry slots designed to provide an almost continuous variation of phase shift with frequency, instead of a small number of fixed discrete shifts. 530 706 Des. They are just in completely different leagues. The on-axis pickup pattern is well focused, and although moving substantially off axis results in a dramatic reduction of level, the tonality remains remarkably consistent. In terms of frequency response, the sound ofKSM9 is very well tailored, and it doessound much better than a typical flat-response condenser. Shures KSM8 introduces the Braunmhl-Weber dual-diaphragm concept into a moving-coil capsule for the first time, with substantial practical and sonic advantages for the live-sound market. Their design used a complex arrangement of perforations drilled into separate brass plates which, when sandwiched together to form the microphone backplate, created an acoustic labyrinth behind the front diaphragm. As a condenser mic, the Shure KSM9 requires phantom power. Moving significantly beyond that range causes the bass level to fall off gently, and by 600mm (two feet) there is an obvious but still gentle attenuation of frequencies below about 100Hz. Though many singers and softer styles of music will benefit from the extra detail and clarity of a condenser. This means theyre prone to overload and distortion from louder singers. This mic has a very flat and even range through the mids, before gently climbing through the high range from about 3kHz. This helps reduce handling and stand noise, as well as offering some protection to the internal circuit. See giveaway details & rules or check out our past winners! DuPont de Nemours and Company in the United States. SM58. I am pretty familiar with the 87c, I like it a lot and it seems to be smooth and consistant. The Shure KSM8 Dualdyne Microphone is the world's first handheld dual-diaphragm dynamic microphone, designed for professional vocal applications in live sound and studio environments. Follow us. It features a cast aluminium handle, solid construction, and comes in two colours: charcoal or champagne. mic. Just make sure to point it where you want to and it will do the rest. It might be just what you need to take your sound to the next level. For information on microphone use and applications or for a more comprehensive look at the technology behind the microphone, visit www.shure.com for educational publications on these topics and more: The KSM8 Dualdyne Cartridge utilizes a reversed side entry airflow system. Good Luck! Heres how it works. Shure KSM9 has a fantastic quality and it gives a very natural sound. However, the KSM9 has this covered. In general, a single-diaphragm capsule provides more accurate results for distant (far-field) sound sources, having a more accurate cardioid response which rejects rearward sources more effectively, and also enjoying a more accurate on-axis frequency response. None. Elegantly crafted products that are simple, useful, and desirable. I own a SM7b and want a mic with similar quality for when I feel like holding the mic and being free. Large diaphragm mics tend to be better at capturing low-end, whereas smaller diaphragm microphones do a better job with higher frequencies and transient detail. This extended high range will give your vocals that extra sparkle and clarity, and a more open authentic sound. Theyre balanced, which means the cables are shielded from interference and carry a higher signal than unbalanced cables. Exclusive deals, delivered straight to your inbox. You may use these HTML tags and attributes:

, In this article, you'll learn how to choose professional and budget, Copyright 2015 - 2023 Microphone Geeks LLC, AKG Pro Audio D7 Reference Microphone Review, Sennheiser e965 Review Switchable True Condenser, Shure Super 55 Deluxe supercardioid prop mic review, Sennheiser e845 review budget supercardioid, MaonoCaster E2 (AME2) review production audio interface for streamers, Maono PD400X USB / XLR podcast dynamic microphone review, Pixel Voical Lark X Wireless Lavalier System Review, Azden SGM-1X Short Shotgun Microphone Review. What else do you need for your home recording studio? . While this is by no means a scientific comparison, you can get a crude glimpse at frequency response differences between the SM58 and KSM8 here, with a simple 'AH' sung at a fundamental around 400Hz. The Shure KSM9 microphone is a high-end vocal microphone that has been designed for use in live and studio settings. https://www.youtube.com/playlist?list=PLlczpwSXEOyatBLoJPWeG2U8OUFx9AFC0 Shop Shure KSM8 Du. Follow Marcus Scott on social media To prevent dust and moisture ingress, they decided to cover the back of this labyrinth with a second (passive) diaphragm which would still allow sound waves from the rear to pass into the capsules internal labyrinth. Its a little more sensitive than a dynamic mic like the Shure SM58, but a far cry from the high sensitivity of some studio condensers such as the AKG C414. A subsonic filter helps cut out any rumble from mechanical vibrations below 17Hz. 25 Feb/23. Theyre probably best-known for their affordable handheld dynamic stage microphones. We have always believed these are the ingredients that inspire and shape real results for businesses and brands. Despite being a condenser, the design is well adapted to gigging. In effect, the passive diaphragms compliance acts to partially block or impede low frequencies from reaching the rear of the front diaphragm, thus altering the net pressure acting on the active diaphragm in a frequency-dependent way. Very well-defined cardioid polar pattern with minimal off-axis coloration and a deep rear null. . This is great for recording ambiences, or in a controlled environment like a recording studio. So, are there any downsides? Both mics respond exceptionally well to lead vocals, with each having its subtle nuances and flavorings that are sure to deliver the goods in many different applications hear it for yourself!Follow Marcus Scott on social media Instagram: @marcusdscottAfter you watch, check out Sweetwater.com today for all your music instrument and pro audio needs! shure axient combiner shure axient combiner (No Ratings Yet) . In my opinion, if budget allows, stretch to a KSM9. So having the benefits of that technology available on stage for the live-sound market is very appealing. What's the problem with your 58? Beta 87A on UHF-R Wireless. But there are some differences. The idea is that sounds from the rear take the same amount of time to reach the rear of the diaphragm through the labyrinth as they do to pass around the outside of the microphone and impact on the front of the diaphragm. In a directional microphone, sound waves are generally directed towards the rear of the diaphragm through an acoustic labyrinth, which effectively introduces an audio delay. Geeksper.com is the blog site where you can get well-researched microphone reviews, microphone buying guides, and everything related to microphones. But aside from the minimal handling noise, this really is a different experience. The KSM8 microphone is available in a black or brushed-nickel finish. But with solid construction, the mic feels nice and sturdy to hold, without feeling overly large. My contacts at Shure were reticent to consider creating a competing product for the venerable SM58 and the newer Beta 58A. Our robust and effective solutions create market success. Shure can be proud of their achievements in creating the Dualdyne capsule, and of advancing microphone technology in such a practically valuable way. This protects the diaphragm and capsule from harm, and reduces handling noise and stage vibrations. Shures Dualdyne capsule is housed in a brand new aluminium handle, which is similar in shape and size to the KSM9 condenser stage. Side spill doesnt suffer excessive coloration, and the amount of rearward rejection is impressive and unusually clean. A dynamic cardioid version of the KSM9, using the same dual-diaphragm technology. Happy customers, one piece of gear at a time! It is also equipped with a three-position bass roll-off switch that optimizes the microphones response for different applications. She owns a EW 115, perhaps I could just upgrade the capsule? Professional vocalists are always repositioning their mics to change the tone and add expression to their performance. But this mic is well constructed, and perfect for live performances which require that superior condenser sound. Best mics for budget filmmaking and video production, 7 Best Headworn Mics for Wireless Systems Review. Ultimately the Shure KSM9 and Sennheiser E965 are two very similar microphones. However the KSM9 is noticeably cleaner and brighter. Thank you for selecting the KSM series from Shure. Win a TB-03 and TR-06 from Roland. General Description. Feel free to call us toll free at (800)222-4700, Mon-Thu 9-9, Fri 9-8, and Sat 9-7 Eastern. However, what is new groundbreaking, in fact is the application of the dual-diaphragm configuration in a moving-coil capsule. Then connect the output of the phantom supply soundcard. . More about the KSM8 here. Sound Magic Blue Grand, 2 Steinway grand pianos collection, Crackling / Popping Noise on XLR Microphone, Roger Linn teaches "Designing Physical Interfaces for Music". All rights reserved. It offers a natural, open sound, with a very balanced low-end, beautifully smooth midrange and brilliant highs. SHURE KSM9/CGShure118800! Enter the Shure KSM9 a condenser mic for the live stage. Well, at 429, this mic doesnt come cheap. This ensures a smooth transfer of the signal from the microphone to the pre-amp, without any loss of signal quality. From the tweakiest techniques to the biggest ideas, our experts work hard to constantly supply inSync with a steady stream of helpful, in-depth demos, reviews, how-tos, news, and interviews. The microphones sensitivity is given as 1.85mV/Pa, which is comparable with most other stage mics an SM58 has a sensitivity of 1.88mV/Pa, for example, making it less than 0.2dB louder. How vulnerable are these mics to dropping on the stage? Pressure-operated capsules have no proximity effect at all, of course, and consequently the dual-diaphragm capsule has a greatly reduced proximity effect for very close low-frequency sound sources. Ive heard sales reps say that the KSM8 is better than a lot of condensors out there so presumably Im buying quality with the 8 but still lean towards the 9 since I want to get most out of my live sound.. How ever since my genre is pretty heavy what is your experiance with the feedback rejection on louder stages with the KSM9 VS the quality of the KSM8.. Will the difference in sound quality (depending on EQ + sound guy ofc) by noticable between the 8 and 9? Notice the more even high-end response on the KSM8 and lower sensitivity to bass frequencies. Great write up. 5/8" to 3/8" (Euro) Threaded Adapter. Shure1 launch cloud_download BLX B/SHURE B/ PSM300 B (806810MHz . It is made from high-quality components, which ensures that it delivers excellent sound quality. KSM8/B: Superior dual-diaphragm dynamic microphone with a black finish. XLR Male to Male, CableCreation [5-Pack] XLR 3 Pin Male to 3 Pin Male Microphone Line Adapter. This is also a good position for any sudden loud notes, or to shape, and tail off a long note. Dual-diaphragm technology has important benefits for vocal work, which is why virtually every studio vocal is conventionally recorded with a dual-diaphragm (capacitor) mic. In Summary. One big difference is that the Neumann doesnt have a switchable polar pattern its a fixed supercardioid. In contrast, the dual-diaphragm capsule achieves a superior cardioid polar response and on-axis frequency response for close (nearfield) sources. Go for the shorter lengths where possible. The Shure KSM9 is a high-quality condenser microphone that is designed for live performances. Shure KSM9 has two modes: cardioid and supercardioid. The high end of the voice comes over with a smooth, neutral aspect, free from the almost resonant peakiness that most stage vocal mics deliver. This mic is highly dynamic and nuanced, making it the perfect mic for intimate folk, jazz or spoken word performances. Shure Audio Institute. Shure Audio Institute. Many singers love its ribbon-like feel, and although it may turn out beneficial for screaming or growling with a metal band, in your case, for a clean vocal you may need a brighter mic, so that it can cut through a dense mix more easily, such as KSM9, which also offers supercardioid mode for improved rejection, as long as you fix it on a stand and dont move around much. 531 171. On the other hand, condenser mics are less sonically limited than dynamics, and can deliver a lot of detail and clarity. The KSM8 provides greater immunity to these problems, due to linear polar response across the entire frequency spectrum. In my experience the KSM8 is a more hi-fi-sounding mic. It also has a -10db pad which can be switched on if a vocalist needs a little less sensitivity. The KSM9 is a two-channel microphone, meaning that it has two diaphragms, which are each made up of a membrane and a coil. The capsules that see most demand are beta58s and KSM9s. Being music makers ourselves, we love geeking out on all things gear. Our expert reviewers spend hours testing and comparing products and services so you can choose the best for you. At a similar price, therere many comparisons to be made between the 105 and the KSM9. It switches between hypercardioid (super-directional) and sub-cardioid (super-wide) patterns. Forums for Audio Professionals, Run by Audio Professionals. This might also be a good setting for backing vocals, to get more separation between neighbouring singers. Depending on your style, it may require some minor adjustments to your pronunciation, but in the end it is still more forgiving than a condenser. Confused about setting up your guitar? Shure KSM9 Multi-Pattern Condenser Microphone. Leveraging trend, user research, and other data, we turn ambiguity into clarity, define organizing principles, and chart trajectories for product offerings, brands, and businesses. The KSM8 is Shure's dual diaphragm dynamic, and as such not a condenser. Smooth high frequency response without a pronounced presence peak, Advanced internal pneumatic shock mount and the Diaphragm Stabilization System (DSS patent pending) work together to prevent handling noise, True cardioid pattern prevents feedback and provides consistent off-axis response, Hardened, dent resistant grille lined with hydrophobic woven fabric that rejects moisture as well as plosives for years of high quality use, Microphone techniques for live sound reinforcement. Learn More. A dynamic microphone process sound waves mechanically whereas a condenser microphone does so electronically. The Shure KSM9 runs best at this voltage, but can perform at voltages as low as 11 V DC. Its an effect used by radio presenters to give them very deep voices.